Author name: Mark

March Brilliant (Hayden)

A cheerful march in four sections. Section one has a repeated theme that returns in section four as a reprise. Pay close attention to the fingerings in section two, because the G# in the bass complicates matters. The piece is dedicated to the Hayden Guitar Trio. This trio was led by her sister Eleanor, the […]

March Brilliant (Hayden) Read More »

Romance of Venice (Hayden)

Romance in Venice, sailing in a gondola or dancing on the Bridge of Sighs? The piece is a waltz, but to me the atmosphere does not appear to be suitable for a fast performance. The piece has four sections. Three have a repeated theme, the last serves as a short reprise of the first. Play

Romance of Venice (Hayden) Read More »

Morenika a Mi Me Yaman

Morenika a Mi Me Yaman is a Sephardic song from the 15th century. The lyrics are in Ladino, the language of the then Jewish communities in Spain and Portugal. The song is a love song about a dark-haired, tanned girl. The Sephardim lived in relative peace in Spain and Portugal under Visigothic and Moorish rule.

Morenika a Mi Me Yaman Read More »

Cantilène (Kleynjans)

Cantilène is the seventh piece from Le Coin des Guitaristes Op. 119 by Kleynjans. Coin des Guitaristes translates as Guitarist’s Corner. The piece is a slow ballad, don’t rush, but play it fluently. In this piece the thumb gets a lot of work in the accompaniment. Don’t hit it too hard, otherwise the melody will

Cantilène (Kleynjans) Read More »

Chôro Brésilien (Kleynjans)

Chôro Brésilien is the eleventh piece from Le Coin des Guitaristes Op. 119 by Kleynjans. Coin des Guitaristes translates as Guitarist’s Corner. A piece with nice Latin swing. Pay attention to the left hand fingering in bar 14 and later bars 37 and 39. Bars 16 – 23 form a nice and joyful contrast where

Chôro Brésilien (Kleynjans) Read More »

Valse Viennoise (Kleynjans)

Valse Viennoise is the sixth piece from Le Coin des Guitaristes Op. 119 by Kleynjans. Coin des Guitaristes translates as Guitarist’s Corner. The piece is interestingly notated in 6/8 rather than the traditional three-quarter time. The notation does help you with the Vienna Waltz swing nevertheless. Bars 20-22 require attention and a good fingering.

Valse Viennoise (Kleynjans) Read More »

Suite de los Mita 3-4 (Cardoso)

Sofía (Zamba) Joaquín (Rasguido Doble) (Galopa) Suite de los Mita (Children’s Album) is a charming collection of pieces in traditional South American music forms. No, the term children’s album does not refer to difficulty, some pieces require well developed guitar skills. Sofia is a Zamba, an Argentinean fairly slow and stately dance form. Here you

Suite de los Mita 3-4 (Cardoso) Read More »

Suite de los Mita 11-12 (Cardoso)

Jimena (Vidalita) Silvia (Bailecito) Suite de los Mita (Children’s Album) is a charming collection of pieces in traditional South American music forms. No, the term children’s album does not refer to difficulty, some pieces require well developed guitar skills. Jimena is a Vidalita, a variation on the Vidala, a traditional song form from Argentina and

Suite de los Mita 11-12 (Cardoso) Read More »

error: Content is protected !!
Scroll to Top