solo-carcassi-op10-en

Op. 10 Nr. 1 Allegretto is a piece with a Rondo structure. Theme in C, middle section in A minor, and then back to C. A good sight-reading practice of a fairly easy piece.

Op. 10 Nr. 2 Rondo is a really small Rondo. The structure roughly is Refrain/Middle section in the minor key/Refrain and Coda. in other words, ABA with a coda, the minimum requirement for a Rondo. Play the piece joyfully and fairly fast.

Op. 10 Nr. 3 Marche is a joyful straightforward forward-march! piece. Play it in march tempo.

Op. 10 Nr. 4 Rondo is a really small Rondo. The structure roughly is Refrain/Middle section in the (A) minor key/Refrain and Coda. in other words, ABA with a coda, the minimum requirement for a Rondo. Play the piece joyfully and fairly fast.

Op. 10 Nr. 5 Rondo is a really small Rondo. The structure roughly is Refrain/Middle section in the (B) minor key/Refrain and Coda. in other words, ABA with a coda, the minimum requirement for a Rondo. Play the piece joyfully and fairly fast.

Op. 10 Nr. 6 Valse is a cheerful straightforward piece like the other waltzes in this opus, that is played best in strict waltz tempo. I suggest to play it fairly fast to obtain a nice ” Strauss” effect.

Op. 10 Nr. 7 Valse is a cheerful straightforward piece like the other waltzes in this opus, that is played best in strict waltz tempo. I suggest to play it fairly fast to obtain a nice ” Strauss” effect. Play the rests in the bass line accurately for the best rhythmic effect.

Op. 10 Nr. 8 Valse is a cheerful straightforward piece like the other waltzes in this opus, that is played best in strict waltz tempo. I suggest to play it fairly fast to obtain a nice ” Strauss” effect.

Well, there is a lot of waltzing around in this opus number by Carcassi. Op. 10 Nr. 9 Valse is a cheerful straightforward piece like the other waltzes in this opus, that is played best in strict waltz tempo. I suggest to play it fairly fast to obtain a nice ” Strauss” effect. If possible,

Op. 10 Nr. 10 Valse is a cheerful straightforward piece like the other waltzes in this opus, that is played best in strict waltz tempo. I suggest to play it fairly fast to obtain a nice ” Strauss” effect. The scale passages make it difficult to waltz around, so use the measures that show the